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News and business analysis for Professionals in International Education

As many as 150 international students have been left “stranded” and 10 teachers have been left without wages following the sudden closure of an English language school in Limerick, Ireland following a Department of Justice Inspection.

Do international students in the UK live a life of luxury? That’s what a series of ‘memes’ posted on Twitter have suggested. But representatives of international students say it perpetuates stereotypes.

UUKi has released a report guiding universities through the best practices to develop strategies to help refugees access higher education.

A diplomatic row between the UK and Russia followinga nerve agent attack will not affect educational programs between the two nations say Russian ministers, however educational agents warn that there may be repercussions.

UK and Australian universities are mapping out plans for a closer partnership post-Brexit, with a focus on student mobility, research collaboration and mutual recognition of academic and professional qualifications.

Read more

“In terms of where this is migrating towards degrees… my belief is this market is rapidly going digital”

Parents are an underutilised audience for international education marketing, according to higher education marketing firm Carnegie Global

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Italian schools are becoming more "multi-ethnic and multicultural", latest figures by the Italian Ministry of Education reveal.

Carnegie Communications, a US-based digital marketing and recruitment firm has acquired international digital marketing firm i-studentgroup.

An e-learning platform that will support refugees and migrants attain school qualifications and learn Italian has been launched at the end of March in Palermo, Italy.

Australia-China tensions, where does the truth end and the misinformation begin? Anton Crace looks beyond the media reports in this long read.

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Beckie Smith takes a look at the tricky terrain that is the US H1-B visa, and post-study work opportunities in Trump's US. The visa route, often used by STEM graduates, could be under threat despite two prominent senators proposing a bill to expand its reach.

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The Nazis claimed that degenerate art was the product of Jews and Bolsheviks, although only six of the 112 artists featured in the exhibition were actually Jewish.

The art was divided into different rooms by category - art that was blasphemous, art by Jewish or communist artists, art that criticised German soldiers, art that offended the honour of German women.

One room featured entirely abstract paintings, and was labelled "the insanity room".

"In the paintings and drawings of this chamber of horrors there is no telling what was in the sick brains of those who wielded the brush or the pencil," reads the entry in the exhibition handbook.

The idea of the exhibition was not just to mock modern art, but to encourage the viewers to see it as a symptom of an evil plot against the German people.

The curators went to some lengths to get the message across, hiring actors to mingle with the crowds and criticise the exhibits.

The Degenerate Art Exhibition in Munich attracted more than a million visitors - three times more than the officially sanctioned Great German Art Exhibition.

Some realised it could be their last chance to see this kind of art in Germany, while others endorsed Hitler's views. Many people also came because of the air of scandal around the show - and it wasn't just Nazi sympathisers who found the art off-putting.

Fritz Lustig was a young Jewish apprentice who went along to see the works of art. He says "they didn't seem to mean very much - if they were portraits they seemed to distort the faces... if they were things, they seemed to be quite different from what the things really looked like - I mean the word degenerate seemed to me to apply".

The exhibition went on tour all over Germany, where it was seen by a million more people.

Some of the art was later burned by the Nazis, and for many of the artists this was only the beginning of very hard times ahead.

But Petropoulos says that for some, being banned by the Nazis turned out to have a positive side.

"This artwork became more attractive abroad, or certainly in anti-Nazi circles it gained values because the Nazis opposed it, and I think that over the longer run it was good for modern art to be viewed as something that the Nazis detested and hated."

Listen to Degenerate Art and the Nazis

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We are SITU, an unconventional architecture practice. We use design, research and fabrication for creative and social impact.

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